About a week ago, I was in Bergen, and took the opportunity to visit
Bergen Art Museum, which I actually hadn't visited before. On the Saturday, I went to "Lysverket", which has a wide selection of Norwegian (and some foreign) art through a long period of time. It was a nice exhibition with many interesting works, but with terribly few chairs. I will mention a few highlights (in the order that they are met in the exhibition):
Børre Larsen: Fallos
This is a sculpture put together from one ruler and a toy ski jumper - it reminds me of the innocent games of childhood, but also of the way youth sometimes measure each other to see who is largest. The shadow on the wall give associations to solar clocks - time passes and the sculpture is quite nostalgic.
Jon Gundersen: Vater (Leveler)
is another assemblage of a human figure and a tool, although it is mostly a cheap play of words (in Norwegian). A little figure is standing on the leveler (vater/water), ready to jump into what looks like a tempting pool when the dimensions are disturbed. A little cool.
Hiroshi Sugimoto: diverse
Sugimoto's sea-and-heaven-photos from several places in Norway and other places in the world are quite cool, in that they at first sight look like non-figurative drawings. There is a pair in the National Gallery as well.
J. C. Dahl: Fra Lysekloster (From Lyse convent)
If one of J. C. Dahl's paintings (and Bergen Art Museum has a lot of them) should be singled out, it has to be this one. Beautiful nature and with lots of contrast. "Bjerk i storm", which I had looked forward to seeing, was small and pale in comparison.

Edvard Munch: Landgangsbroen
What's so good about this painting, I'm not sure of. But there is a resolute woman that's turning away from the others and thereby coming right towords us and putting her background past her. A great painting.

Edvard Munch: Vinternatt, Ekely (Stjernenatt) (Winter night, Ekely (Starry Night))
This picture, on the other hand, is simple and quite symmetric, but disturbing. The viewer is standing on a hill, but does not have an unobstructed view - something is in the way. The green sky doesn't contribute to a cozy atmosphere either...
Paul Klee: Grener om høsten
There is something about the texture of this picture that I like. A little, at least. The special painting technique gives a very special impression - almost hairy... And the colours are - not surprising - autumn colours. Cool.
(This posting is a translation from my
Norwegian blog.