I've been to
Astrup Fearnley Museum of Modern Art today to see the exhibition "Tom Sachs: SURVEY - America - Modernism - Fashion". His art is quite interesting and funny. I must admit that I had very mixed feelings on my first round in the exhibition, but after watching an hour of videos with Tom Sachs talking about his artworks, I warmed considerably to it.
The first artworks I looked at was "London calling", a fascinating "closet" with tools, weapons and texts connected to The Clash's classic album "London calling". For instance, every song on the album were giving its name to a weapon, and the lyrics of the song were written on the weapon. A simplistic interpretation would be to say that the music in the album is weapons as powerful as any, and that the closet was supposed to pretend to be a CD case. (The wood used in this artwork was stolen from the NY Police, by the way - how to interprete that?)
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Another very interesting artwork was "4:3", made of "plywood, asphalt, steel". The Norwegian band "Bare Egil Band" would certainly have enjoyed this one - they have a song about the uses of asphalt. Another assosiation is with another picture (by
Damien Hirst?) I've seen in this museum, made of flies only - the texture is not too different.
I also liked the artworks "Chanel Guillotine (Breakfast Nook)" and "Prada Death Camp". Both connect death and fashion in a thought-provoking way. Tom Sachs compares fashion with fascism in one of the videos.
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The artworks in the exhibition is mostly made of paper, cardboard and similar materials, and have an "unfinished" look. Sachs himself stresses that they should look "made", not "hatched" - you see that an imperfect, human being has made them, they are not machine-made. He also stresses the details a lot - for instance there are lots of details in the space shuttle model. On the other hand, he also includes funny scribblings on some of the artworks, such as the "Fuck you" sign in the McDonald's restaurant. Putting a tv screen showing brain-numbing American television next to the electric chair is also a funny political statement.
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The McDonald's restaurant, by the way, is in full working order, as is the guillotine, the electric chair, the refrigerator and many of the weapons. This is supposedly part of the authenticity he strives after - and it is also a statement in the discussion on what art is supposed to be.
Jeff Koons visited Astrup Fearnley earlier with artworks that were "simply" copies of toys - for instance "Rabbit" looked like a toy, but could not be played with. Tom Sachs' refrigerator does not look like a refrigerator, but it works like one.
Well, that's enough for a lazy Sunday. Tom Sachs has a website at
tomsachs.org, which I will study further later...
Labels: art